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| 15:00-15:15 |
KEYNOTE: Prof. Dr. ZHAO Feng:
Introduction: Dr. MA Qinglin
Conservation Cycle: A Working Model to Face Global Challenges at the China National Silk Museum |
| 15:15-15:30 |
| 15:30-16:30 |
ICOM-CC PANEL: Current challenges in conservation
Panelists: BÜLOW Anna, CANE Simon, LITTLE Terry, MA Qinling, ZHAO Feng
Moderator: LEE Lynn |
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| 16:30-16:45 |
Glass and Ceramics VAN GIFFEN, N. Astrid R.:
Understanding Chinese snowflake glass: A collaborative research project |
no session |
Modern Materials and Contemporary Art LANZA, Maria Cristina:
The decay of PMMA and its conservation treatment:
The case study of a kinetic work |
Paintings SCHARFF, Mikkel:
Canvas-related microcracks in Danish 19th-century paintings
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| 16:45-17:00 |
Glass and Ceramics CHENG, Qian:
Scientific study on archaeological glass finds from the Qiemo kingdom unearthed along the southern route of the Silk Road in Xinjang |
Theory, History and Ethics of Conservation TAYLOR, Joel:
What do we talk about when we talk about 'future generations'? |
Modern Materials and Contemporary Art MEUL, Veerle:
Richard Deacon’s "Never Mind" (1993–2017): The remake is the original? Negotiating the identity of a re-fabricated outdoor sculpture |
Paintings WEBER, Fanny:
Max Pechstein’s "Sommer in den Dünen": Joint research on the intended surface aesthetics |
| 17:00-17:15 |
Glass and Ceramics WERTZ, Julie:
Material investigation of cold-painted funerary ceramics of the Han dynasty |
Theory, History and Ethics of Conservation VERBEECK, Muriel:
Intentio operis. From the "enclosed garden" to the open work |
Modern Materials and Contemporary Art CONE, Louise:
Ether Body: Materiality and transcendence |
Paintings ORMSBY, Bronwyn:
Revisiting cleaned acrylic emulsion painting surfaces ten years on: Observations and reflections |
| 17:15-17:30 |
Glass and Ceramics Q&A Moderators: Lauren FAIR and Guus VERHAAR.
Authors: VAN GIFFEN, CHENG, WERTZ, |
Theory, History and Ethics of Conservation HOUBART, Claudine:
Transcending boundaries in the use of concepts:
The case of antifragility |
Modern Materials and Contemporary Art Q&A Moderators: Lydia BEERKENS and Julia LANGENBACHER.
Authors: LANZA, MEUL, CONE, |
Paintings HSIAO, Yi-Hsia:
“Copy and Paste”: An integrated approach to a traditional field of Chinese painting |
| 17:30-17:45 |
Theory, History and Ethics of Conservation MARÇAL, Hélia:
Towards a relational ontology of conservation |
no session |
Paintings Q&A Moderators: Jae Youn CHUNG and Elisabeth RAVAUD.
Authors: SCHARFF, WEBER, ORMSBY, HSIAO |
| 17:45-18:00 |
Paintings MELONI, Sabrina:
Jan Steen’s eclectic use of green and blue pigments |
Theory, History and Ethics of Conservation Q&A Moderators: Hélia MARÇAL and Esther VAN DUIN.
Authors: TAYLOR, VERBEECK, HOUBART, MARÇAL |
Modern Materials and Contemporary Art KLINKMULLER, Franziska:
The conservation of "Città irreale" (1968–69) by Mario Merz: How to prolong the life of an Arte Povera work |
Glass and Ceramics EGGERT, Gerhard:
Curious compounds – Investigating the variety and structure of calcium acetate efflorescence on calcareous objects by XRPD |
| 18:00-18:15 |
Paintings SALVANT, Johanna:
Investigating the transition period from colored to white preparatory layers in 18th-century French canvas paintings: A retrospective study |
Theory, History and Ethics of Conservation FORD, Thierry:
An integrated conservation approach to a historic collection:
The controversial varnishing of Munch's paintings |
Modern Materials and Contemporary Art LAWSON, Louise:
Unfolding interactions in the preservation of performance art at Tate |
Glass and Ceramics O'CONNOR, Ariel:
From cuneiform to contemporary: The conservation of unfired clay |
| 18:15-18:30 |
Paintings VON ADERKAS, Nelly:
Splashed across the page: Understanding Joshua Reynolds’s paint media through analysis of drips in his pocket books |
Theory, History and Ethics of Conservation STREETON, Noelle L.W.:
New expectations for conservation in Norway in the 1960s: Bjørn Kaland and the altarpiece from Holmedal |
Modern Materials and Contemporary Art BEERKENS, Lydia:
An inclusive approach to modern artworks living on modern architecture |
Glass and Ceramics THICKETT, David:
Damage assessment and mitigation measures for enamels displayed in historic buildings |
| 18:30-18:45 |
Paintings LI, Guanghua:
Study on the application of an automatic hyperspectral scanning system to investigate Chinese paintings |
Theory, History and Ethics of Conservation OKA, Iwataro:
History of Japanese painting conservation. A review of techniques and principles. |
Modern Materials and Contemporary Art Q&A Moderators: Lydia BEERKENS and Julia LANGENBACHER.
Authors: KLINKMULLER, MARÇAL, BEERKENS |
Glass and Ceramics Q&A Moderators: Lauren FAIR and Guus VERHAAR.
Authors: EGGERT, O'CONNOR, THICKETT |
| 18:45-19:00 |
Paintings Q&A Moderators: Elisabeth RAVAUD and Jae Youn CHUNG. Authors: MELONI, SALVANT, VON ADERKAS, LI |
Theory, History and Ethics of Conservation VAN DUIJN, Esther:
“As much as is necessary for the harmony of the picture not to be disturbed”: The materials and methods used during the 1945–47 treatment of 'The Night Watch' by Rembrandt |
no session |
Photographic Materials VILA, Anna:
Light matters: Photographic material related to Vilhelm Hammershøi and his circle |
| 19:00-19:15 |
Theory, History and Ethics of Conservation Q&A Moderators: Hélia MARÇAL and Brian CASTRIOTA.
Authors: FORD, STREETON, OKA, VAN DUIJN |
Modern Materials and Contemporary Art SCATURRO, Sarah:
Already out of fashion: The fashionable rise and chemical fall of thermoplastic polyurethane |
Photographic Materials MARCHESI, Monica:
Reprint and destroy? Wolfgang Tillmans' artistic practice: The reprinting and intentional destruction of large-format inkjet prints |
| 19:15-19:30 |
Wet Organic Archaeological Materials STELZNER, Ingrid:
Non-destructive assessment of conserved archaeological wood using computed tomography |
Theory, History and Ethics of Conservation O'GRADY, Caitlin:
Interventions: Contesting time, expertise and perspective in conservation decision-making |
Modern Materials and Contemporary Art LAGANÀ, Anna:
In search of a perfect bond: An evaluation of potential adhesives to repair transparent poly(methyl methacrylate) objects |
Photographic Materials WINTHER, Thea:
Developing strategies for the preservation of film collections – Integrating NIRS analysis as a part of the process |
| 19:30-19:45 |
Wet Organic Archaeological Materials SHEN, Dawa and FEI, Lihua:
Experimental study on the consolidation of decayed wooden planks on the Quanzhou Ship: A discussion of the possibility of retreatment |
Theory, History and Ethics of Conservation STOVELAND, Lena Porsmo:
Mock-ups and materiality in conservation research |
Modern Materials and Contemporary Art ROJAS-SEBESTA, Clara and DELIDOW, Margo:
Transparency in the age of replication |
Photographic Materials Q&A Moderators: Diana DIAZ-CANAS, Lénia OLIVEIRA-FERNANDES
Authors: VILA, MARCHESI, WINTHER |
| 19:45-20:00 |
Wet Organic Archaeological Materials ZHENG, Hailing:
Silk fibroin consolidation and tracking of the protective effect on ancient saturated silk fabrics |
Theory, History and Ethics of Conservation HAMZA, NagmEldeen:
Conservation between scientific methodology and laboratory application: An integrated approach to past and present challenges |
Modern Materials and Contemporary Art Q&A Moderators: Lydia BEERKENS and Julia LANGENBACHER.
Authors: SCATURRO, LAGANÀ, ROJAS-SEBESTA, |
| 20:00-20:15 |
Wet Organic Archaeological Materials Q&A Moderators: Emily WILLIAMS and Ida HOVMAND.
Authors: STELZNER, SHEN, ZHENG |
Theory, History and Ethics of Conservation HILL, Joshua:
Intervention vigilance in conservation:
Lessons from the medical profession |
no session |
no session |
| 20:15-20:30 |
Theory, History and Ethics of Conservation Q&A Moderators: Hélia MARÇAL and Deepakshi SHARMA. Authors: O'GRADY, STOVELAND, HAMZA, HILL, |
no session |
no session |
| 20:30-20:45 |
CLOSING SESSION |
| 20:45-21:00 |
| 21:15-21:30 |
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| 21:30-21:45 |
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| 21:45-22:00 |
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| 22:00-22:15 |
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Technical Visit 9, 10, 11, 12 |
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